Most RPG fans will find it very enjoyable, but those with little patience may quickly frustrated at having to take so many random missions. It has an interesting plot, well thought out gameplay mechanics, and it faithfully recreates the popular Shadowrun pencil-and-paper RPG. The sound effects are decent enough, though not particularly impressive. The Redmond Jump House music is particularly catchy. Most of the game's futuristic, techno-influenced songs are acceptable and a few are actually catchy. The game has a limited palette, but the colors available are used quite effectively to enhance the background bitmaps.
Both character and background graphics have surprising depth of detail, though the animation and screen scrolling are a little bit jerky. The graphics are above average and do a good job of conveying both the glitzy surface of the Shadowrun world and its dark, gritty heart. Even though the basic gameplay mechanics are well thought out, the sheer number of random missions you have to undertake dampens the enjoyment this game. Later on, these are replaced with "infiltrate and steal" type missions, and you'll be doing lots of those too. But you will find yourself doing many "FedEx-style" delivery missions at the beginning of the game to earn cash. The missions that aren't critical to the main story are randomized, so you won't see the same one come up too often.
This means taking on missions - lots and lots of missions.
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To do that, you must get better equipment and upgrade your skills. Starting from one of the three basic characrer archetypes of the Shadowrun world, you have to make a name for yourself and unravel a mystery. By following the form so closely, however, the game loses something of the spirit of the world. Shadowrun for the Genesis takes a very faithful approach to the Shadowrun game world.
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